Insights Into Interior Design: Designing in Style. Part V: Modern/contemporary
Insights into Interior Design: Designing in Style. Part V: Modern/Contemporary
Interior design has always been impacted by fashion trends – both historically and in the modern day. In this article series, “Designing in Style,” I explore the meaning of style for interior designers. I draw on my experience working alongside many of London’s best-known interior design teams. This fifth and final article in my series moves on from countryside styles to modern/contemporary – a major focus of the London Interior Design community today.
Modern or contemporary design is all about simplicity. Interior designers tend to focus on fresh, clean lines, together with simple colours and basic shapes like perfect circles and rectangles. But the question I hear again and again from my interior design students in London is, “How to make a contemporary/modern design interesting and unique?” This can be a real challenge – interior designers always want to give their clients something special, but within the constraints of very simple, almost minimalist, design briefs, this can require some serious creativity!
My recommendation to interior design students is always to use extra imagination in the details. In London, wealthy homeowners tend to be very focused on subtle extras. To add interest to a standard modern/contemporary scheme, the interior designer can consider highlights, trims or accents in the colour scheme. Even if one only has a monochrome palette to work with, perhaps a white piece of furniture would look stunning with a beautiful bespoke black throw. Or maybe a hint of pink can be introduced into a grey tone to create a really “interior designer” look for a room? There are all sorts of possibilities, and in London’s most prestigious districts today the most important thing for interior designers to keep in mind is that the label of “modern/contemporary” is just a guideline. If the client has a favourite piece of furniture or artwork that doesn’t quite fit the “modern/contemporary” label, use your interior design creativity to figure out ways to incorporate it into a scheme. You really can’t go wrong if your “modern/contemporary” design is unified and classy – and in London many clients are very sophisticated, with an eye for beauty and detail. If their needs are met, the interior designer has done their job!
Insights Into Interior Design: How Designers Select Wall Hangings. Part Ii: Installing Pictures
When interior designers use the term “wall hangings,” they are commonly referring to anything and everything that one may hang on a wall. London is a fabulous place to choose wall hangings due to the many active artist communities and the strong tradition of professional interior design.
In this second article in my series on “How Interior Designers Select Wall Hangings,” I will talk in detail about several approaches that I have seen while working alongside many of London’s most successful interior design professionals.
As a general guideline, pictures tend to work well when arranged in squares or rectangles. London is a world fashion centre, and jaunty mismatched shapes can be interesting for certain highly customised interior designs, but in most cases it is best to stick with simple 90-degree angles.
Second, symmetry is important. Often when the interior designer has one central picture and several others in a set, they will choose some sort of symmetrical arrangement.
Third, a popular approach in London’s interior design community is to use the concept of “horizons” against which to align the upper edges of multiple pictures in a group. If an interior designer has an assortment of differently-sized rectangular frames, they may choose to hang an upper row from one “horizon” and the lower row from a different “horizon.”
Fourth, London Interior Design consultancies often talk of “anchoring.” This refers to a technique by which the largest images in a set form the corners of an imaginary rectangle or square, while smaller pictures are used to “fill in” the rest of the available area.